One Man's Cultural Empire

One Man's Cultural Empire


  • Category Archives Outsourced
  • Outsourced. . . Salo

    Posted on by ryandorin

    As you know, my video work has gotten very popular as of late. So much so, that sometimes I find myself spending more time deciding what to work to take on, than actually working on anything in particular! To be or not be for sure.

    But recently I was presented with a rare opportunity that required little consideration. My good friend Ben Gallina, a fantastic bass player, and, as it turns out, a fantastic composer, came to me and said, “Ryan, my band Salo has just completed recording a new album of my music, and I would love for you to make a video animation for one of the tracks.” So I said, “Sure, Ben. I think I can do that.”

    Once we arranged my modest but not insubstantial fee, Ben decided that he wanted a video for his track, “Metamorphistopheles”. To be honest, I only have a vague idea what this title means. I can assume that something is changing into something else. And maybe the devil is involved. But I’m not really sure. What I do know is that the music totally rocks, even though Salo is a “jazz” band. I like to think of it as Ben’s own brand of “acid jazz” – blending jazz instrumentality and sensibility with prog-rock-funk rhythms and harmonies.

    Now, normally when I embark on such an ambitious project as this, I like to have some parameters to work within. As Igor Stravinsky once said, “The more constraints one imposes, the more one frees one’s self. And the arbitrariness of the constraint serves only to obtain precision of execution.” In this case I was not as fortunate as Stravinsky. Ben said something like, “Hey man, do whatever you want. I don’t really care. I trust you.”

    So I went deep into my wellspring of creativity and pulled out one of my most natural resources – balls. Lots and lots of balls. Very colorful balls. Spinning and turning and flying and bouncing and dancing and just otherwise carrying on. But that’s not all. There’s a whole fantasy land of adventure waiting for you this at once captivating and spellbinding episode of music turned into motion. The musicians are incredible and the music is hot, and the video is here:

    Credits: Alex Hamlin, Ed RosenBerg, Josh Rutner, Red Wierenga, Andrew Smiley, Ben Gallina, Alex Wyatt. Written by Ben Gallina. Animation by Ryan Dorin. Solos Alex Wyatt – drums, Alex Hamlin – alto sax.


  • Outsourced. . . Aztec Economy

    Posted on by ryandorin

    How many times has somebody said to me, “Hey Ryan! I know you are so busy creating music, videos, animations, art, drawings, fictional worlds, operas, and other esoteric yet enrichening activities. But where can I find your extraordinary creative activities in the outside world?”

    Where do I begin?

    I guess I will begin by introducing to my readers a group of extremely talented and dedicated thespians who I have had the pleasure of working with on several projects over the past year.

    They call themselves “Aztec Economy“, and they are an “experimental” theater company, and I put the word in quotes to help put the word “theater” into a special relativity.

    I met the Aztec Economy on Craig’s List. I was just sitting at my computer one day, wondering what other amazing accomplishments I might achieve if I put my mind to it, when I came across a listing for a theater company looking for a sound designer. I said to myself, “Ryan, sound design for theater is one of the few things you haven’t yet tried, why don’t you contact them and see what happens. After all, few people know more about sound than you do.”

    So I sent them an email, they emailed me back, I emailed them back, they emailed me back, and then we had a face-to-face in Williamsburg, Brooklyn, New York. I could tell immediately that these guys knew what was going on. They were so cool, and at the same time, so out of touch, that I couldn’t resist their charm.

    To make a long story not quite so long, they needed sound for a theater piece they were developing, that had no script and no plot. All they knew was that it was based on a loose combination of Margaret Mitchell’s novel “Gone With the Wind” and Sophocles’ play “Antigone“. They wanted barking dogs for the Greek chorus, artillery fire for the Civil War, water dripping, footsteps overhead, toilets flushing, traffic and weather reports, and wind.

    I said yes immediately. How could I resist? I love traffic and weather together!

    We worked together for months. I did my small part. And then we put on a show -

    Starring the amazing and talented and nice and beautiful Darcie Champagne. Called, “Antigone With the Wind”. Directed by Cole Wimpee, and “written” by Casey Wimpee (his twin brother!).

    What a wonderful time.

    What slowly occurred to me was that this play was the second in a trilogy called “Battleplays”.

    I was in for more than I bargained for.

    Because now we are making the third play of this epic trilogy, titled “Night is a Tramp”. If you clicked on their link, you see what I mean. It’s not quite out of control, but it threatens to be.

    In any case, Cole Wimpee, Casey Wimpee, Michael Mason, and Darcie Champagne are the stars of this epic adventure and I just got a an alto saxophone on ebay and am learning to play it, in order to fully participate in the madness that promises to ensue.

    So that’s one thing I’ve been up to. Now you know.



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